Emma Wilkins

I was scrolling through my camera roll, looking for some summer snaps to send to my grandparents, when I noticed an unexpected theme. Interspersed among photographs of action, lit by sun, were just as many flat, uncoloured images—ink on paper, black on white: photographs of text.

It didn’t come as a surprise; I’ve had this habit for some time. I’ll read a line or paragraph I don’t want to forget—a passage that has moved me or intrigued me; a phrase that sounds especially beautiful, or rings especially true—and make a copy I can keep...

When productivity consultant Daniel Sih was writing Raising Tech-Healthy Humans, he asked his kids to think about their best experiences in life. Their fondest memories — listening to him play the guitar and read to them before bed, jumping on the trampoline with a neighbour, a family game of mini-golf — didn’t involve screens; they did involve spending time with loved ones. In his book, Sih reflects on their answers and what they had in common: they were tangible, relational, and unplugged.

Our “appetite for newness” is not unique to our times, but habits of replacing not retaining are. We’re familiar with the impact on our world, but have we considered its impact on our minds?

The practice of “darning” — mending holes and tears in garments by interweaving yarn — was once a common one. Now few possess the skill, and fewer practice it. Why repair, if you can just replace?

There’s a story our year 11 and 12 students are hearing, one I heard at that age too, that isn’t true. The details change, but the take-home point is the anxiety-inducing idea that what they’ll do with “the rest of their lives” is a decision they must make now or very soon and that failing to make “the right choice” will have disastrous consequences.

If you were walking past a car on a hot day and saw an infant strapped within, the windows closed, what would you do? Assume a parent was nearby? Maybe scan to see?

What if nobody was in sight? Would you stop to tap the window, peer inside?

And if the child seemed motionless — eyes glazed or closed, no sign of breath — what then? Would you smash a window? Call for help?

It’s a dilemma people face from time to time, but looks can be deceiving...

I came across a surprising claim the other day. Shortly after reading that in the last 200 years, Australia has suffered the largest documented decline in biodiversity of any continent, I read that my home state’s habitat has remained “relatively unchanged” since 1936.
The quote was on a US biotech company’s website...

A few summers ago, my grandmother saw me look twice at a dress in a department store and made me try it on. It was dusty blue and sleeveless. Its high neck fastened with a button above an open back. One sash wrapped halfway round the waist; one emerged as if by magic from a slit. I tied them in a bow against my hip. From the waist to just below the knee, generous folds of fabric flowed. When I walked, they swished against my skin. I didn’t want to take it off. Last summer, I wore that dress so often that I joked it was my ‘summer uniform’...

I know what’s meant by “cost of living”. I know it’s about money, the economy; inflation, interest rates. But don’t you think those words, so often chanted in the news, could be taken from, or used to make, a poem?
Cost of living. I think less about the rising price of rent, of petrol, milk and bread, than of parents sick with worry, up all night, waiting for their teen to return home; a grown man, helping a father who no longer knows his name, to bed; a schoolgirl, who sees her friend “forgot” his lunch, again, and pretends to not want hers...

I recently started watching a television series with my eldest son. The more that I reflect on the experience, the more convinced I am that it’s been time well spent for both of us.
If you’d told me I’d be writing this article a year ago, and that the show in question would be Alone, I might have scoffed. Reality television has never really been my thing — it riles me when manufactured drama masquerades as “real” — and my kids get enough screen time after school without opening the gateway to...

The first present my grandmother gave my grandfather, which he received in the post for his seventeenth birthday, was two knitted vests and a knitted cardigan. “The first thing I thought was: how long does it take to make three? Three!” Grandad recalls. He’s almost as astonished now as he was then.

One of the most memorable birthday parties I’ve hosted was also one of the easiest and cheapest. Our eldest son was turning five and wanted to invite his whole class. I wasn’t willing to host a party with more than 20 five-year-olds, but I was willing to invite them for a play in our back garden after school.

I used to think professional musicians, artists and writers were the epitome of creative success. They’d bypassed nine-to-five monotony and were travelling the world, being recognised for, and making a living from, their craft.

Twenty years on, I’ve started noticing different kinds of artists, a different kind of success: friends with “normal” jobs and “normal” lives who are still driven to create. Their ages mean they’re past their so-called prime; their circumstances mean it’s hard to find the time...

If you had asked me, “What colour is a gumleaf, and what shape?” this time last year, I might have answered, “Green, or bluish green; and kind of like an elongated heart.” If you had asked, “What is the colour of a dying eucalyptus leaf,” I might have answered, “Brown? Or maybe grey?”

I’ve since noticed just how differently each leaf is shaped and coloured, textured, too. The toil of living decorates their skin; it grows more coloured, detailed, complex, blemished, beautiful, with time.

As a journalist, I often have days when I just work for my employer. A story is assigned to me, I write professionally, impersonally, efficiently – and then I have days when I write for myself; I choose what I want to say and how, and who to send it to for publication.

One is productive. It consistently results in published work and payment. The other is hit and miss. Rejection and self-doubt abound...

My invisible friend has an office in the corner of our bedroom. On either side of his computer sit two pots filled with grass. He mows them with scissors. On the floor by his desk is a dark, glossy palm, and on our dresser is a fern, with leaves that are translucent in the sun.

My husband’s office doubles as a garden — and a music studio. Between the plants there is a microphone, speakers, a mixing desk, keys. When he’s not working for money, he’s making songs for fun. On a good day, that is....